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Museo De La Salle

Museo De La Salle

Museo De La Salle

Welcome to Museo De La Salle
Our Founder's Vision
Museo De La Salle is a lifestyle museum dedicated to the preservation of certain aspects & material culture of the 19th c. Philippine ilustrado lifestyle.
Welcome to Museo De La Salle

Our Founder's Vision
Museo de La Salle, nestled in the heart of Dasmariñas, Cavite, traces its roots back to the visionary Brother Andrew Gonzalez, FSC. The journey began in 1988 when Brother Andrew Gonzalez visited the Joven Panlilio House in Bacolor, Pampanga. Enthralled by the bahay na bato and its meticulously restored 19th-century splendor, he envisioned a museum that would not only showcase historical treasures but also contribute to the university's commitment to nationalism, history, and culture. This dream took shape in collaboration with the esteemed interior designer and Filipiniana consultant, Jose Ma. Ricardo Panlilio, fondly known as Joey.

Resilience Amidst Adversity
The catastrophic Mount Pinatubo eruption in 1991 forced the Panlilio family to dismantle their ancestral home. However, adversity paved the way for opportunity. Br. Andrew and Joey renewed discussions about establishing a museum for La Salle, envisioning a space that would house the Panlilio heirlooms and contribute to the university's historical studies. Despite facing challenges such as funding constraints and the intricacies of construction, the project persisted due to unwavering passion and dedication.

Craftsmanship and Detail: A Grandiose Endeavor
Construction began in 1996, marked by Br. Andrew's appeal to friends and donors for initial funds. Joey Panlilio, assuming the roles of interior designer and project manager, upheld a vision of grandiosity. The meticulous attention to detail and insistence on building a bahay na bato of museum standards resulted in a structure three times the size of a traditional one. A team of experts, including renowned consultants and donors such as Dr. Jaime Laya and Dr. Eleuterio Pascual, contributed to the museum's vast collection.
Collections
![]() Wooden Baldachin | ![]() Gradilla | ![]() Cabinet Doors |
![]() Wooden Valance | ![]() Cherub | ![]() Chapel Door |
![]() Callado | ![]() Azulejos | ![]() Narra Doors |
![]() Mary of the Holy RosaryStained Glass Window | ![]() Gold Lead WoodenColumn | ![]() St. Joseph and Child JesusStained Glass Window |
![]() Grandfather’s Clock | ![]() Venetian Mirror | ![]() Soapstone Dish |
![]() Spitoon | ![]() Gilded Wall Bracker with Pigeon | ![]() Garniture |
![]() Turtle Shell | ![]() Antler | ![]() Arinola |
![]() Ammunition Shell | ![]() Buyeras | ![]() Celadon Plant Pot |
![]() Hamper | ![]() Wash Stand | ![]() Table Lamp |
![]() Chandelier
| ![]() Wall Lamp Bracket
| ![]() Gilded Wall Bracket with LongAcanthus Leaves |
![]() Trinchante | ![]() Carlo Trece Side Chair | ![]() Gallinera |
![]() Kapiya | ![]() Almario | ![]() Escritorio |
![]() Divan | ![]() Luis Quince Side Chair | ![]() Comoda |
![]() Bastonero | ![]() Mesa Altar | ![]() Comedor Table |
![]() Sala Principal Table | ![]() Mariposa Chair | ![]() Silla Perezosa |
![]() Ah Tay Bed | ![]() Courting Chair |
![]() Baro | ![]() Terno | ![]() Saya |
![]() Alkansya | ![]() Cap | ![]() Humidor |
![]() Salakot 1 | ![]() Salakot 2 | ![]() Llavera |
![]() Baston 1 | ![]() Baston 2 | ![]() Pantuche |
![]() Christ The King | ![]() St. Joseph | ![]() Hisopo |
![]() Acetre | ![]() Caliz | ![]() Cordero |
![]() Our Lady of Mount Carmel | ![]() Saint Anthony of Padua | ![]() Blessed Virgin Mary |
![]() Sto. Niño | ![]() Retable of San Vicente Ferrer | ![]() Nuestra Señora de Salvacion |
![]() San Isidro Labrador | ![]() Rosary | ![]() Carozza |
![]() Urna
| ![]() Mesa Altar | ![]() Sacred Heart of Jesus |
![]() Prensa De Gas | ![]() Prensa De Piye | ![]() Chocolatatera / Batidor |
![]() Eperne | ![]() Kalo | ![]() Lingkaw |
![]() Copra Extractor | ![]() Ulbong | ![]() Gilingang Bato |
![]() Baklad | ![]() Kahera de Kwarta | ![]() Seed Separator |
![]() Kidkiran | ![]() Kudkuran | ![]() Prensa de Mano |
![]() San Nicolas | ![]() Prensa de Corona | ![]() Coffee Grinder |
Bajo El Lente: Artifact of the Month
Bajo El Lente provides a closer look at selected Museo de La Salle collections.
![]() Reference: | Soup TureenFrom the mid 17th century onward, the sopera or soup tureen or soupière, became a central vessel in the elaborate à la française dining service. This French practice required all dishes of a course to be laid out simultaneously in symmetrical patterns, with soup always opening the meal. Soup tureens of oval, bombé form were placed at the center of the table, their lids ceremoniously lifted to reveal steaming broth. Even the ingredients of soup reflected social hierarchy: truffles were considered the most prestigious, followed by fungi, then vegetables like artichokes and peas, while humble root crops such as carrots and turnips ranked lowest.
Initially, aristocratic soup tureens were crafted in silver or vermeil, but sumptuary laws on the prohibition of usage of rare metals led to the rise of ceramic versions. The success of the Companies of the Indies trade played a major role in the importation of porcelain in Europe. By the 18th century, Europe made their own porcelain production; Meissen in Germany, Sèvres in France, and Leeds in England. Industrialization allowed larger, more affordable ceramic tureens to flourish, which were often placed on sideboards as objects of admiration. Alongside porcelain, ironstone emerged in Britain in the early 1800s as a durable, inexpensive substitute. Sold separately or in complete sets, ironstone included soup tureens, fruit epergnes, salt cellars, and platters, making the ritual of soup service accessible to middle class households while preserving the aura of refinement associated with porcelain.
By the early 20th century, the soup tureen had become a fixture of Philippine dining, transcending class boundaries. In 1912, even families in nipa houses were depicted by local illustrators with a tureen on their table, signaling its symbolic importance. Wealthier households in Manila and Pampanga entertained with imported Continental porcelain, often monogrammed and shipped at great expense from Europe. Sets of tableware arrived packed in straw, carried by horse drawn carts from ports to provincial haciendas. While fine porcelain remained costly, ironstone was widely available in local shops, offering affordable access to the European dining tradition. In this way, the soup tureen bridged cultures originating in French aristocratic ritual, refined through European porcelain and ironstone, and ultimately woven into Philippine domestic life as both a practical vessel and a marker of social aspiration. |

Volada Talks
Museo Bilang Klase, Komunidad, at Kilusan In this episode, discover Museo De La Salle’s transformative vision as it redefines itself not only as a museum, but also as a classroom, a community partner, and a movement where history is actively lived and experienced. Learn how the museum fosters meaningful cultural connections and inspires collective action through service and engagement. These insights are shared by Museo De La Salle Director, Ms. Mary Ann Salvador, who reflects on the museum’s evolving role in creating impactful learning experiences for its communities.
Booking of Tours
Book a Museum TourExperience history up close at the Museo de La Salle. Our guided tours offer an enriching journey into the lifestyle of the 19th-century ilustrados, while showcasing the museum’s collections and emphasizing the importance of cultural preservation.
Reservation DetailsTours are available through an online appointment system via the Museo de La Salle Facebook page and are accommodated on a first-come, first-served basis. Guests are encouraged to book at least three (3) business days in advance to ensure proper arrangements. Please also check the museum’s availability on your preferred date, especially during holidays and school breaks.
How to BookTo reserve a tour: | ![]() |
Museo News Articles
Contact Information
Museo De La Salle
Santiago Alvarez Hall De La Salle University – Dasmariñas, Brgy. Fatima 1, Dasmariñas City, Cavite, Philippines, 4114 | |
| museodelasalle@dlsud.edu.ph | |
Cavite: +63 (46) 481.1900 Manila: +63 (2) 8779.5180 | |
| Local Number: 3151 |

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